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Bit
One
Digital/Analog synthesizer

This black beauty is one of the many semi-unknown Italian
synthesizers of the '80s. It is a typical digital/analog hybrid, sporting
two DCOs, VCF, VCA, and two LFOs. The programming on this synth can be a
little cumbersome - it was the era of knob-gone digital after all... so
programming is similar to other synths of the time: a keypad to change the
parameter, and two up-down buttons to alter the value of the parameter dialed.
The parameter list and flow diagram are stenciled on a large graphic in the
middle of the front panel.
Several keyboard modes are provided; you can split the
keyboard, or layer two sounds (double). There's even a very cool Unison
button that makes for some excellent, fat sounds. The
pitch and mod wheels are above the keyboard, and on top of each other, as opposed to
a more traditional side-by-side - for this reason, the Bit One is a nice, compact five-octave synthesizer.
The Bit One is a "stereo" synth, providing
Upper (left) and Lower (right) separate outputs. The
notes will come out of each channel at random. I'm not sure if it is a
problem with my machine in particular or if all Bit Ones are like this. Best to stay in
mono (Upper) if you don't like the resulting effect.
There are four two-character displays: (parameter)
value, address (the parameter selected), Lower Prg and Upper Prg. A
compare button is also provided.
Crumar Bit One factory patch lists
Here's a
.pdf
of the original Factory Preset Name List, kindly provided by Don Turnock - who
used to sell Crumar synths in the '80s- thank you very much, Don, for providing
all of us with precious, rare information on this synth!
And here's a
.pdf of the original Factory Preset Name List of Version II and III of the Bit
One, plus MIDI information on the Bit 01, also provided by Don Turnock -
thank you, Don!
Crumar Bit One audio demos
Stream all audio examples below:
|
Preset
name with audio demo |
My comments |
|
01 PIANO 1 |
A grand piano emulation. Not bad for analog |
|
02 PIANO 2 |
Another piano sound. A brighter variation and a
very good sound. |
|
03 DIGI PIANO 1 |
An electric piano of some sort. A very haunting
sound, actually. |
|
04 ELECTRIC PIANO
1 |
Very nice electric piano with tremolo. Easy to
obtain with the Bit One's two low frequency oscillators, one for the
filter, and one for, as in this case, the amplifier. |
|
05 ELECTRIC PIANO
2 |
Excellent sound!!! A Fender Rhodes Suitcase
with tremolo. |
|
06 CLAVICHORD |
Standard harpsichord sound, well programmed. |
|
07 DIGI PIANO 2 |
Great 1980s sound! |
|
08 SEQUENCER BASS |
Another piano-like preset, with a woody quality.
Excellent tremolo. |
|
09 DYNAMIC PULSE |
Killer analog synth bass! These are the '80s,
my friends. Works also for the right hand, as you can hear. |
|
10 FUNKY
BASS/CLAVINET |
Similar to above. |
|
11 DYNAMIC PULSE
+ 1st HARMONIC |
Nice synth sound with tremolo. Notice how it is
possible to control the tremolo speed with the dynamic keyboard (press
harder, faster tremolo). Hey, in 1984 this was a cool, very
expressive feature, and they are showing it off in the presets. |
|
12 DYNAMIC PULSE
+ 2nd HARMONIC |
Staccato synth |
|
13 SHIFTED
DYNAMIC CLAVINET |
Analog! Reminds me of Howard Jones a bit. |
|
14 SHIFTED |
"Dirty" accompaniment/pad synth |
|
15 SAW + PULSE
SHORT DECAY |
Outstanding, FAT synth bass! Works also for the
right hand. |
|
16 HIGH RESONANCE
BASS |
Very cool resonant synth - funky and expressive!
Moog-like. |
|
17 DIGITAL BELL 1 |
Detuned bell sound. Very hypnotic and cuts
through the mix. (DOUBLE WITH PRESET 18 TO
OBTAIN "DIGITAL BELL" (last two octaves) |
|
18 DIGITAL BELL 2 |
Another bell sound
(DOUBLE WITH PRESET 17 TO OBTAIN "DIGITAL BELL" (last
two octaves) |
|
19 BRASS 1 |
Great example of typical '80s synth brass. This
synth is powerful! |
|
20 BRASS 2 |
Awesome patch!!!!!!! This isn't coming from a
Jupiter-8, folks... this is a Bit One! |
|
21 FAST BRASS 1 |
Variation of the above - great '80s synth brass
sound. |
|
22 FAST BRASS 2 |
Yet another variation of the synth brass sound. |
|
23 BRASS 3 |
Gentler, muted synth brass sound. |
|
24 STRING 1 |
String ensemble. Typical analog. |
|
25 STRING 2 |
A warmer example of string ensemble |
|
26 DYNAMIC STRING
1 (fast attack) |
Emulation of a string orchestra. |
|
27 DYNAMIC STRING
2 (fast bowing) |
Darker strings. Great for pads. |
|
28 TOUCH VELOCITY
CONTROLLED MODULATION |
Fabulous synth sound!!! Showcasing the dynamic
keyboard controlling the LFO |
|
29 SAWTOOTH
RESONANCE STRING |
THE 1980s! Silky, chorused synthesizer sound |
|
30 SAWTOOTH
DYNAMIC DECAY |
Fat synth |
|
31 SAWTOOTH LARGE
DECAY + RESONANCE OR RELEASE |
Special effect synth |
|
32 BACKGROUND
SAWTOOTH |
Dark pad synth |
|
33 SOFT BRASS +
RELEASE |
Long filter resonance synth |
|
34 GUITAR 1 find
sync |
Synth-Pop 'R Us |
|
35 GUITAR 2 find
sync |
Gentle, classy synth sound. Reminds of the band
"Berlin" and their songs for that famous '80s film "Top Gun" |
|
36 CLASSICAL
GUITAR find sync |
Jazz guitar sound. Warm and expressive |
|
37 SHIFTED
GUITAR/CLAVI find sync + open Modulation |
Comp synth |
|
38 SHIFTED
GUITAR/CLAVI + Large Sawtooth - find SYNC. + open MOD. |
Warm, detuned pad |
|
39 FUNKY GUITAR |
Remember the song
"I can't wait" by Nu Shooz?
This synth bass could be a good choice for it. |
|
40 POLY DECAY 1 |
Synth-meets-organ sound |
|
41 LEAD TRUMPET |
Great horn sound! This would be
even more expressive
using a breath controller. |
|
42 FLUTE (add
NOISE) |
Well-programmed flute sound with breath noise. |
|
43 JAZZ ORGAN |
Hammond organ sound. With lots of "key-click"
effect. |
|
44 INVERTED
ENVELOPE SQUARE |
Square wave synth sound. |
|
45 DYNAMIC
PERCUSSIVE ORGAN |
A percussive organ. This preset is
a great one to show off
the Bit One's unison
effect - Note how it changes the character of the sound. |
|
46 SQUARE
PERCUSSIVE ORGAN |
Nice comp synth |
|
47 WOOD + METAL
PERCUSSION 1 |
Wooden mallet, gentle sound. Nice. |
|
48 WOOD + METAL PERCUSSION 2 |
Variation of the above |
|
49 SQUARE SPACE CELESTE |
A steam-pipe organ sound |
|
50 SQUARE GHOSTS |
Similar to the above, a Calliope sound |
|
51 NORMAL GHOSTS |
Very analog string-ensemble |
|
52 MODULATED GHOSTS |
Special synth effect. Spacey and UFO. |
|
53 SINUS TONE |
Great for ambient, or film-scoring
(DOUBLE WITH PRESET 54 TO OBTAIN "DOUBLE VIBRAPHONE") |
|
54 HARMONIC (Bell) |
Icey, digital tinkle bell sound
(DOUBLE WITH PRESET 53 TO OBTAIN "DOUBLE VIBRAPHONE") |
|
55 HARMONIC |
Similar to the above, with a more wooden quality
(DOUBLE WITH PRESET 56 TO OBTAIN "DOUBLE DIGI
PERCUSSION") |
|
56 TONE |
Fat, classy synth ensemble
(DOUBLE WITH PRESET 55 TO OBTAIN "DOUBLE DIGI
PERCUSSION") |
|
57 BELLS/SISTRON |
Haunting staccato sound |
|
58 BACK TONE FOR DOUBLE 1 |
Dark, low synth |
|
59 BACKTONE FOR DOUBLE 2 |
Great detuned, honky-tonk sound |
|
60 HARMONICS |
Chinese-like percussion sound |
|
61 WOOD HARMONICS |
Ethnic vibe
(DOUBLE WITH PRESET 62 TO OBTAIN "DOUBLE MARIMBA") |
|
62 WOOD TONE |
Hollow, mysterious, dark synth pad
(DOUBLE WITH PRESET 61 TO OBTAIN "DOUBLE MARIMBA") |
|
63 FREE MEMORY AREA FOR
'COMPARE FUNCTION' |
n/a |
Crumar Bit One photos
(click on thumbnails to enlarge)


Crumar Bit One features
- great analog sound;
- dynamic keyboard allows for nice expression;
- unison mode;
- two LFOs
Bottom line: If you want the "Sound of
the '80s", this is a good choice.
| Year of release: |
1984 |
| Polyphony: |
6-voice |
| Sound generation method: |
analog, 2 DCOs |
| Preset memories |
62 |
| MIDI: |
in, out, thru |
| Keyboard modes: |
Lower, Upper, Split, Double, Unison |
| Sound expansion capabilities: |
no. Presets can be
loaded/saved from/to tape. |
| Sequencer |
no |
| Arpeggiator |
no |
| Effects |
no |
| Touch sensitivity |
yes |
| Aftertouch |
no |
| Other features: |
Detune, Noise |
The "Song made only with this instrument" trial: _________ The
Bit One sounds great. Note in particular... X
Crumar Bit One manual
Links
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DESCRIPTION |
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