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Micron
Analog Modeling Synth

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This is one of the cutest, smallest, yet most powerful synths
I've ever put my hands on! The Micron is the sequel to the
popular Ion, and while it can be considered as the Ion's younger
brother, it actually has a few enhancements that are absent on
the big bro.This is a very clean, precise,
sparkly and definitely virtual analog (or analog modeled)
sounding synth. Eight voices of polyphony are plenty for
these types of units, but we would always want more. The
synth engine is the same as the Ion though, but extra and
welcome features include sequencing, arpeggio, and great on
board percussion, and the ability to build patterns.
The Micron really sounds bigger than it looks:
while personally I feel that the character of its synth engine
leans on the more digitally precise DSP side of virtual analog
technology, it's certainly capable of huge, warm and fat sounds.
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The main panel is logically laid out and easy to
understand. At the very left, a big red knob offers volume
control; the two "m1" and "m2" sliders provide useful modulation
control, typically (but not always) vibrato and filter cutoff. The
three knobs labeled "x", "y" and "z" also offer way of modulating
sounds, and can (ought to) be assigned to your favorite parameters.
Two octave buttons, and other useful commands such as tap (tempo) and
latch (sustains the notes) occupy the space at the left of the two-line
backlit green display. Finally, a multi-function matrix with
push-down knob serve as the central nerve system of the machine, letting
you easily access programs, setups, configurations, patterns and rhythms.
You do the programming by turning the knob to view the various editing
pages. In all, it's simple to program, and the manual does a
fantastic job of being easy to follow and easy to understand. |
Alesis Micron factory programs audio demos in mp3
Stream
all audio demos
Factory Programs audio demos
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Program name with audio demo |
My comments |
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Bass 01-47 - AcidAndOilBass |
Enormously fat synth bass, very modern and aggressive |
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Bass 02-47 - Alien Womb |
Cool
electro bass sound, reminds of Mr. Oizo a bit. |
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Bass 05-47 - Big Bass Pedal |
Analog modeling at its best. Note how tweaking sliders and knobs
can alter the base sound quickly and effectively. |
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Bass 09-47 - Closet Bass |
Remarkably realistic analog bass, very Moog. |
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Bass 14-47 - Growl Bass |
Another excellent modeled synth bass. |
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Bass 15-47 - Hacker Bass |
Deep
techno bass |
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Bass 17-47 - J00p1t3r |
Very nice representation of the Roland Jupiter bass sound |
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Bass 23-47 - Machinery Bass |
Perfect for trance |
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Bass 24-47 - Mini Twin Bass |
The
Moog filter in action... |
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Bass 27-47 - Old Favorite |
Of
course by old favorite Alesis means the Roland TB-303. Excellent
emulation. |
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Bass 34-47 - Rhythmo |
Nice
panned synth bass, similar to sounds Depeche Mode used in the early '80s. |
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Bass 36-47 - Spit Bass |
Nice
reverse synth bass |
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Bass 38-47 - Sub Bass |
Woooof... |
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Bass 42-47 - TaurusBassPdls |
Obvious reference to the Moog Taurus pedals |
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Bass 44-47 - TomSawyerBass |
From
Rush's song, a good emulation of the sound used in it. |
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Lead 02-43 - AquamarineLead |
Killer analog, screaming lead |
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Lead 04-43 - Cars Sync |
Classic oscillator sync patch |
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Lead 07-43 - Flatulent Duck |
Love the name of this patch :-) |
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Lead 12-43 - LeadOfSixSines |
Perfect recreation of Rick Wakeman's 70s Mini sound |
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Lead 13-43 - Lucky Porta m2 |
The
usual ELP "Lucky Man" lead. Quite good. |
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Lead 17-43 - Micron Flute |
Very realistic, actually - great use of noise parameters. |
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Lead 18-43 - Mini 5th |
Incredible emulation! Nails the Minimoog tone. |
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Lead 19-43 - Mini Classic |
Another classic Minimoog emulation |
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Lead 20-43 - Odyssee Lead |
Very
similar to the ARP Odyssey used by Herbie Hancock in "Chameleon". |
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Lead 24-43 - ScreaminWarpLd |
Eminently useful trance comp/lead. |
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Lead 32-43 - Tarkus Carcass |
Another classic ELP patch |
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Pad 05-127 - Aeon Choir |
Very, very nice filters in action - |
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Pad 06-127 - AnotherLongDay |
Beautiful sparkling, moving pad, Wavestation-like |
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Pad 07-127 - AstrologySweep |
Classic, solid filter sweeps |
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Pad 09-127 - Backing Vox |
Exquisite, ethereal vox pad |
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Pad 118-127 - Vocoded Ents |
A
bit digital but okay. |
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Pad 120-127 - Voices |
Nice
Mellotron-like program |
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Pad 15-127 - Classic Vox |
Sounds like an early 8-bit sampler vox sample |
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Pad 19-127 - Deep Space |
Cool
LFO-based patch |
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Pad 26-127 - Ecology |
Gorgeous synth that works as pad and also for melodies |
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Pad 33-127 - Ghosty Voice |
Very
good analog voice emulation |
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Pad 49-127 - Kirumamoru |
This
is a actually a screen name for a guy on the Harmony Central keyboard
forums |
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Pad 65-127 - Morten'J |
This
one too, although I have not seen Morten'J around for quite some time |
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Pad 71-127 - Oberpad |
Nice
and analog string pad, with Oberheim filter |
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Pad 91-127 - Silver Lining |
Beautiful, moving reso pad |
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String 09-18 - Nervoso Strngs |
Meaty analog strings |
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String 12-18 - SilkyVerySilky |
Ravishing, warm and supremely analog sounding synth strings |
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Brass 02-26 - AnalogHorns ff |
Classic analog brass |
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Brass 19-26 - Regal Horns |
Variant of the above |
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Key 01-36 - 60's Organ |
Great organ patch |
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Key 14-36 - GroovyAuto-Wah |
Filter in action |
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Key 32-36 - StreetsOfParis |
Charming button accordion |
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Key 35-36 - Vintage Piano |
Cool
ana-digi electric piano |
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Key 36-36 - Zorgan |
Excellent patch - the sliders add Leslie |
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Comp 01-113 - 1and2andComp |
Very
1980s and cool |
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Comp 02-113 - Ai-ya! |
Outstanding vocal emulation |
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Comp 05-113 Baba O'Riley |
The
classic sound from the Who song. |
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Comp 100-113 - The 80s |
Absolutely |
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Comp 113-113 - WontGetFooled |
The
other famous Who song |
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Comp 19-113 - Dude! |
Powerful! |
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Comp 44-113 - Laryngitis |
More
voxy foxy |
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Comp 69-113 - Punchy Harp |
Particular, different. |
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Drum medley-118 |
This
is a walkthrough of the many on-board percussion sounds.
Excellent sounds. |
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Sfx 01-50 - 101 Vocoder |
Decent but not too intelligible. I'm saying "This is the vocoder
on the Alesis Micron... x2". |
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Sfx 02-50 - Deep Vocoder |
Okay... I'm saying "This is the Deep Vocoder patch on the Alesis
Micron... Deep Vocoder patch..." |
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Sfx 07-50 - Goblin Talk |
Cool! I'm saying "Hi, this is the goblin. How are you all
doing? x3" |
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Sfx 10-50 - Airlock Door |
Nice
sound fx |
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Sfx 12-50 - Bombs Away |
Incredible emulation of a propeller airplane!!! Outstanding! |
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Sfx 14-50 - Close one! |
Bombs |
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Sfx 17-50 - Dead Pack,Man |
The
famous Pacman sound fx |
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Sfx 27-50 - Howling Dogs |
Fantastic programming job! |
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Sfx 41-50 - The FM Police |
FM
beauties |
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Sfx 49-50 - Windy City |
Classic, standard wind effect |
Factory Setups audio demos
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Features at a
glance |
| Year of release: |
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| Polyphony: |
8-voice |
| Presets: |
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| Rhythms: |
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| Keyboard: |
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| Responds to velocity: |
yes |
| Sound generation method: |
VA |
| MIDI: |
yes |
| Sound expansion capabilities: |
no |
| Effects: |
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| Controls: |
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| Outputs: |
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| Display: |
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| Misc: |
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Alesis Micron pictures
(click on thumbnails to enlarge)
Alesis Micron manual
available at www.alesis.com
Links
Alesis Micron
Alesis Micron HC demo
this is a demo I did a few months ago for the Harmony Central keyboard forum.
Micron features from Alesis:
Micron
Industry-leading analog-modeling sound engine in a
lightweight and portable keyboard
The Micron boasts the same sound engine as the
acclaimed Alesis Ion in a compact 3-octave keyboard,
offering breakthrough analog realism,
high-resolution control, and tremendous value. The
Micron is compatible with Ion programs and holds
over 1,000 programs and multitimbral setups.
The Micron offers continuously variable wave shapes,
plus sync and FM synthesis. 20 filter types are
included, along with 2 LFOs with multiple wave
shapes and sample & hold. The Micron has 8-voice
polyphony with 3 oscillators per voice, and is
32-part multitimbral. In addition to a powerful
modulation matrix, the Micron offers a programmable
step sequencer, arpeggiator, rhythm sequencer for
drum kits, and dynamic realtime phrase sequencer—all
of which sync to MIDI clock.
Effects include a 40 band vocoder that does not use
up any polyphony, 4 drive effects, and stereo bus
effects, including reverb. For assignable realtime
control, the Micron offers 3 knobs, 2 modulations
sliders, and a pitch wheel.
Download the
Micron Vocoder Tutorial now.
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Features
Applications
- Synthesis and sound design
- Keyboard performance
- High-resolution MIDI control
- Tempo-synched audio filtering, vocoder, and
effects
Key Features and Benefits
1) Powerful virtual-analog synth engine
Compatible with Ion programs
Superb analog realism
Inspiring other-worldly sounds
Absolutely no “zipper” noise or aliasing
2) Programmable features that sync to MIDI clock
Step sequencer
Arpeggiator
Rhythm sequencer
Realtime phrase sequencer
3) Assignable, high-resolution realtime control
2 modulation sliders
3 360-knobs operate at 32 times the resolution MIDI
Pitch wheel
4) Powerful DSP effects
4 simultaneous mono/stereo “overdrive” effects
Stereo master effects, including reverb
40-band vocoder
5) 24-bit balanced I/O
2 TRS 1/4” outputs
2 TRS 1/4” inputs for processing external sounds
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Specifications
Sound Engine
_Eight voices of industry-leading analog-modeled sound
_Three oscillators per voice, with continuously variable wave
shapes, sync and FM
_Two multimode filters per voice, with 20 classic and unique
filter types
_Three envelopes, two LFOs, and sample and hold per voice
_Twelve-route modulation matrix, with 114 sources and 78
destinations
_One insert drive effect per voice
_Two master effects processors, with reverb and delay
_Full-featured 40-band vocoder
Sequencing
_Programmable pattern sequencer and arpeggiator
_Programmable drum rhythm sequencer
_Realtime or step recording, with controller motion
_Live realtime phrase capture -- one-button record and loop
Setups
_32-part multitimbral -- up to 32 programs per setup
_Up to 26 simultaneous patterns or drum rhythms per setup
_Quick splitting and layering
Presets
_Over 500 preset programs, with space for 400 more
_Over 200 preset pattern sequences and 250 preset drum rhythms,
with space for hundreds more
_Fully compatible with Ion programs
Audio Input
_Input Connectors: 2 Balanced 1/4” TRS jacks
_Maximum Input Level: +5.2dBu (1.41VRMS) = -0dBFS
_Input Impedance: 10kohms
Audio Output
_Output Connectors: 2 Impedance-Balanced 1/4” TRS jacks, 1/4”
TRS Headphone Jack
_Maximum Output Level: +18dBu (6.17 VRMS) = -0dBFS
_Output Impedance: 1kohms
Physical
_Keyboard: 37 keys (velocity, release velocity sensitive)
_Real-Time Controllers: 3 360-degree endless parameter knobs, 2
assignable modulation sliders, assignable backlit pitch wheel
_Pedal Jacks: Assignable exp pedal jack, sustain pedal jack
_Input/Output: 24-bit stereo analog outputs and inputs
_MIDI Connections: MIDI In, MIDI Out, MIDI Thru
_Dimensions (WxHxD): 22.2” x 2.75” x 8.0” / 563.88 x 69.85 x
203.20mm |
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Alesis Micron review with audio demo
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