|
No. |
Preset name |
Audio demo |
My comments |
| C01 |
BDSD2HT |
Voices 1-8 |
Nice selection of punchy bass drum, snare and
hi-hat sounds, across the keyboard, M1 style. |
| C02 |
BD1-C2 |
Resonant kind of Bass drum all across the
keyboard. C2 is the original sample key. |
| C03 |
SD1-C2 |
Country style snare all across the keyboard. |
| C04 |
SD1Rim |
Funky snare sound, hit close to the rim. |
| C05 |
SD2-C2 |
Powerful snare sound, in a large room. |
| C06 |
SDR Rim |
Another variation of country snare. |
| C07 |
Rack Tom |
In a large room. |
| C08 |
FloTom |
Floor tom, not very exciting. |
| C09 |
MultiHT |
Voices 9-16 |
Great velocity-switch hi-hat sounds. |
| C10 |
SD1Mond |
Snare 1 with reverb. |
| C11 |
SD2Mond |
Snare 2 with more reverb. |
| C12 |
SD3Mond |
Country snare with more reverb. |
| C13 |
Ct/Rim |
Nice country snare. |
| C14 |
SD2Gate |
Not-so-fast release gated snare |
| C15 |
BDGate |
As above, for bass drum. |
| C16 |
OpnShut |
Useful velocity-switch hi-hat, across the board. |
| C17 |
BDSD3HT |
Voices 17-24 |
Bass drum, snare and hi-hat across the board. |
| C18 |
BDSD1HT |
Same as above with different snare sound. |
| C19 |
BDSDrHT |
See above. |
| C20 |
AllToms |
Two nice tom sounds across the keyboard. |
| C21 |
RezBaz |
Synthetic standard resonant bass. |
| C22 |
DistGtr |
"Long-hair" 80's heavy metal guitar,
chorused and with lots of reverb. |
| C23 |
Epic |
Choir with a synthetic edge. |
| C24 |
DCOLead |
Ironically, this lead sounds softly
analog. Aftertouch bends the note 1/2 a step. MW adds an
interesting vibrato effect. |
| C25 |
Breath |
Voices 25-32 |
Breathy choir sound. |
| C26 |
Synbad |
GREAT synthesizer sound, with bell and
pulse-wave elements. MW emphasizes brass character. 80's vibe. |
| C27 |
SpdMetl |
Speed Metal style solo guitar, with slapback
delay. |
| C28 |
RtryBee |
Obviously, Rotary B3. The Leslie effect is
pretty convincing, but the speed is set slow and the MW doesn't change it. |
| C29 |
Chorale |
Another choir sound, with pitch-slide effect and
a volume fluctuation. |
| C30 |
Chance |
Reminds of the early 80's analog polyphonic
synths' brass emulations. |
| C31 |
StrtGtr |
Standard Stratocaster sound, with the
limitations (short loops) of older technology. |
| C32 |
PlseBas |
Analog sounding synth bass. Aftertouch
adds vibrato, MW opens the filter. |
| C33 |
SaxSyn |
Voices 33-40 |
Sax and synth. Aftertouch bends it 1/2 a
tone. Useful for solos |
| C34 |
Piano 2 |
Well programmed. Softer sound than the ROM
preset. Good for jazz or classical. |
| C35 |
SoftBrs |
Just what it says. |
| C36 |
Arpegi8 |
Nice filtered guitar sound that introduces
female voice after 1/2 second. When arpeggiated (provided you play
in a legato manner or press the sustain pedal, if not the voice sound
doesn't start) the sound assumes an hypnotic, eerie quality. |
| C37 |
FltSyn |
Analog synth like many other presets. |
| C38 |
BrsSctn |
Pretty realistic sounding brass section. |
| C39 |
WoodBas |
Well programmed contrabass sound that also
utilizes a guitar string sample to emulate the resonance of the strings on
the body. |
| C40 |
PercBas |
Groovy reso synth bass. |
| C41 |
PnchBas |
Voices 41-48 |
Okay, but the loop is short. |
| C42 |
SqreBas |
Square wave synth bass. |
| C43 |
MoviStr |
Beautiful and lush sounding movie soundtrack
strings. Inspiring. |
| C44 |
Marimba |
Why does it get drowned in reverb in the high
octaves? |
| C45 |
Knocks |
Highly percussive, nail-polished tine Rhodes
sound. |
| C46 |
BariSyn |
Similar to many other sounds in this synth. |
| C47 |
FltAnlg |
Filtered analog sound. Again, similar
to other presets on-board |
| C48 |
Monica |
Pop harmonica sound. Aftertouch introduces
useful bending. |
| C49 |
AnnaStg |
Voices 49-56 |
Nice rendition of an analog synth's strings
emulation. |
| C50 |
LayrSax |
Okay sax sound. Usefully, volume on MW. |
| C51 |
SynPipe |
Lyle Mays' Oberheim 4 voice synth solo style
patch. Reminds of the "Whistling Soldiers" patch of the
D-50 in the high octaves. |
| C52 |
SynapBr |
Octave brass sound. All-band pass
filter. |
| C53 |
CosOrch |
Cosmic Orchestra? Mmmh... |
| C54 |
Loony |
Yep. Good job on the programming, with
aftertouch bending and weird sounds coming in and out. |
| C55 |
Shimmer |
Good sound to score Sci-Fi TV shows. The
U.F.O. is in the sky. |
| C56 |
BigOHM |
Male vocals and synth sound. |
| C57 |
Creepy |
Voices 57-64 |
Choir, bells and strings for an horror movie. |
| C58 |
SmplHld |
Good standard filter sample and hold
effect. Tight envelope so you can play melodies. |
| C59 |
Fantasy |
Cinematic dreamy sound. |
| C60 |
St Mick |
Synth sound with funky bell sounds when keys are
released. |
| C61 |
LateOct |
Synth with choirs that trigger one after the
other and resonant filter effects. |
| C62 |
Landing |
Obviously the pilot of this U.F.O. wasn't very
good, because it crashed. |
| C63 |
CardKit |
Percussion galore |
| C64 |
All Dr |
More Percussion galore |